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La Paloma Yradier/Tarrega Music Scores 
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"Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez. Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages."
Joaquin Rodrigo En Aranjuez con tu amor - singer Sarah Brightman Aranjuez mon amour - simple version for guitar solo Collection Video - Master Narciso Yepes performed Concierto Aranjuez |
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Classical Video |
Classical Audio |
 La vida breveFalla / Julian Bream & John Williams. Variation_sur_un_theme_de_MozartF. Sor / Andre Segovia. La Boda de Luis AlonsoGeronimo Gimenez / performed Kazuhito Yamashita. Recuerdos de la AlhambraF. Tarrega / Pepe Romero. Concierto de Aranjuez J. Rodrigo / Angel Romero. Una limosna por el amor de Dios A. Barrios / Renato Belluci. Parranda Liona Boyd. Gypsy Flamenco Diego del Gastor. Los Romeros Play together. |
Caprice24 N. Paganini / Andres Segovia. Capricho ArabeF. Tarrega / Andres Segovia. La vida breve Manuel de Falla / Paco de Lucia. Andante from piano concerto n21Mozart / Angel Romero. Aires AndaluzaA. Barrios / performed by Philippe Lemaigre on Hermann Hauser Sr. 1920 Classical Guitar. Rondo in A minorAguado / Julian Bream Primavera TangoVivaldi / Gustavo Montesano. |
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"I have always regarded technique as a means, not an end in itself. One must, of course, master technique; at the same time, one must not become enslaved by it. One must understand that the purpose of technique is to transmit the inner meaning, the message of the music. The most perfect technique is that which is not noticed at all."
Pablo Casals, Joys and Sorrows |
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Collections |
Pure Flamenco |
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Music of Enrique Granados Danza N.1 Danza N.2 Danza N.3 Danza N.4 Danza N.5 Danza N.6 Danza N.7 Danza N.8 Danza N.9 Danza N.10 Danza N.11 Danza N.12 |
Soleares
Ramon Montoya. [Music Scores] Campina Andaluza (Alegrias) Sabicas. [Music Scores] Pincelada (Tientos) Sanluca Manolo. FarrucaSabicas. Llanto Minero (Tarantas)Sanluca Manolo. Aires de Triana (Bulerias) Sabicas. [Music Scores] Bronce Gitano (Soleares) Sabicas. [Music Scores] Sabicas clip "Arabian Dance" |
"Do not let your practice become mechanical, but use your head as well as your fingers. Concentrate on what you are trying to accomplish, and constantly listen carefully to your playing. Buy all the records by the great artists, listen to them, and strive to produce their beautiful tone on your instrument."
George C. Krick |
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Good 2 Have |
Techniques |
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Fabulous Flamenco/La Gitarra Flamenca
Paco Peña
Guitarist's Technique Handbook Scott Tenant
Guitarra! A Musical Journey Through Spain
Julian Bream DVD
King of the Flamenco Guitar (2004) DVDSabicas
Paco De Lucia: Light and Shade - DVD |
Right Hand Technic of the Classic Guitar George C. Krick.
Artistic Effects on the Guitarharmonic, glissando, legato, staccato, pizzicato, vibrato.
Tone Production
Study of ScalesAndres Segovia.
Flamenco Forms |
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Malaguena | E. Lecuona |
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La Cumparsita | King of Tango |
| Romance | N. Yepes |
| Ne me quittes pas | R. Dyens |
| Sakura | Y. Yoko |
| Los Sitios de Zaragosa | David Moreno |
| Besame Mucho | Velasquez |
| La Boda de Luis Alonso | Gimenez |
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Danza Arabe
Alhambra Granada - Carlos Montoya
Espana Mia - Manitas de Plata
Andalusia - Paco de Lucia
Guitar Romance - Paco de Lucia
Tango Flamenco - Paco de Lucia
Fantasia Inca - Sabicas |
Malaguena - Lecuona - Paco de Lucia Tango de la rosa - Paco de Lucia Punta Umbria (Fandango) - Paco de Lucia Malaguena - Lecuona - Connie Francis (voice)